Daily Photo #3

“Migrant Mother,” 1936, California

In 1936, photographer Dorothea Lange shot this image of a destitute woman, 32-year-old Florence Owens, with an infant and two other of her seven children at a pea-pickers camp in Nipomo, California. Lange took the photo, which came to be called “Migrant Mother,” for a project commissioned by the New Deal’s Federal Resettlement Administration (later part of the Farm Security Administration) to document the plight of migrant agricultural workers. Her image of Owens soon was published in newspapers, prompting the government to deliver food aid to the Nipomo camp, where several thousand people were hungry and living in squalid conditions; however, by that point Owens and her family had moved on. Lange’s photo became a defining image of the Great Depression, but the migrant mother’s identity remained a mystery to the public for decades because Lange hadn’t asked her name. In the late 1970s, a reporter tracked down Owens (whose last name was then Thompson), at her Modesto, California, home. Thompson was critical of Lange, who died in 1965, stating she felt exploited by the photo and wished it hadn’t been taken and also expressing regret she hadn’t made any money from it. Thompson died at age 80 in 1983. In 1998, a print of the image, signed by Lange, sold for $244,500 at auction. By Elizabeth Nix

Dorothea Lange (May 26, 1895 – October 11, 1965) was an American documentary photographer and photojournalist, best known for her Depression-era work for the Farm Security Administration (FSA). Lange's photographs humanized the consequences of the Great Depression and influenced the development of documentary photography.

Video #1

Students do a daily "Bell Work" activity analyzing a significant or historical photo. They must make written comments about the composition, contrast, focus, balance, framing and statements each photo is making. This is our daily warm up exercise.

We also watched several videos on YouTube about the photographer who took this iconic photo in order to put it into the context of the time.